the best part of into darkness was inarguably the cut on jim’s face being in the shape of a starfleet insignia
Ruby Rhod is one of my favorite characters in sci-fi ever because he is Luc Besson’s vision of the hetero sex symbol of the future: a flamboyant, emotionally labile man who wears skin-tight leopard print or decks himself in roses, a man who accessorizes with big jewelry and dabbles in cosmetics. And the ladies love him. Everything about him screams “gay” according to our stereotypes, but he’s portrayed as a 100% straight sexual dynamo.
Besson is one of the few directors I’ve seen who actually recognizes that our ideas of sexuality and gender performance might have changed drastically in the future.
He also has one of the most jarring entrances in a movie. Like the entire movie screeches to a halt because he bursts onto the scene well into the second act and it’s so strange and arresting and Bruce Willis is just like “what the fuck is even going on anymore?”
It’s p. great.
I think I have seen pictures of this, what’s the title of the movie?
The Fifth Element :)
Men I wouldn’t kick out of my bed → David Tennant
the principal at my school made an announcement yesterday that the girls need to start covering up and then i found this in the hallway
BOOM.
#when i find myself in times of trouble #matt smith’s doctor comes to me #speaking words of wisdom #’OF COURSE YOU’RE SCARED. YOU’RE DYING. SHUT UP.’
winterkisseswhenyourlipswereblue:
In WWII the phrase “Vatican Cameos” was used when a person who was not in the British army came before the general, or other high up ranks, as a signal to the other officers that the person was armed.
So when Sherlock says “Vatican Cameos” to warn John that the safe has a gun in it, it’s not something that they’ve set up as a code word- It’s a code Sherlock knew John would know- being a soldier!
